Acoustic Guitar from Scotland
To find a unique voice on so ubiquitous an instrument as the acoustic guitar is quite an achievement: to do so within a centuries old idiom where the instrument has no real history is truly remarkable.
Tony McManus has come to be recognised throughout the world as the leading guitarist in Celtic Music. From early childhood his twin obsessions of traditional music and acoustic guitar have worked together to produce a startlingly original approach to this ancient art. In Tony’s hands the complex ornamentation normally associated with fiddles and pipes are accurately transferred to guitar in a way that preserves the integrity and emotional impact of the music.
Self taught from childhood, initially through listening to the family record collection, McManus abandoned academia in his twenties to pursue music full time. The session scene in Glasgow and Edinburgh provided the springboard for gigs around Scotland and a studio set for BBC Radio, frequently rebroadcast, began to spread the word.
Tony’s first self titled recording in 1996, followed by Pourquoi Quebec in 1999 led to worldwide recognition. However, it was with the release of Ceol More in 2002 that Tony’s stature as a first class musician reached a new level. Having been nominated as Musician of the Year by both the BBC Folk Awards and The Scottish Traditional Music awards, in 2002 “Ceol More” hit the Critic’s Album of the year list in Acoustic Guitar magazine and named “Live Ireland Awards” Album of the Year.
Tony’s work has come to represent Celtic music in the guitar world, making regular appearances at guitar specific events where just a few years ago jigs and reels would be unheard of. His ability to reach audiences unfamiliar with traditional music is remarkable- he is quite comfortable at predominantly classical events such as the Dundee and Derry Guitar Festivals (appearing six times between the two) the Uppsala Guitar Festival and even The Bogotá International Guitar Festival where he followed virtuoso Eduardo Fernandez.
He is also in great demand as a studio musician having contributed to over 60 albums. In addition to his solo output Tony has worked with both singers and instrumentalists providing his distinctive sound on many successful projects.
His 2009 release “The Makers’s Mark” saw him showcase 15 of the finest luthier built guitars available. Recording a solo piece on each instrument, the project caught the attention of the mainstream rock guitar press in a way that acoustic work rarely does.
The following year, a chance hearing on Irish radio led to an invite to contribute music to the soundtrack of Oscar winning director Neil Jordan’s film “Ondine” starring Colin Farrell.
Never one to be typecast, Tony’s new album “Mysterious Boundaries” is his most ambitious to date. An encouraging challenge from mandolin virtuoso Mike Marshall to learn the Bach E Major Prelude on guitar led to an exploration of classical and baroque music – seemingly very different to the jigs and reels that he grew up with. By examining the boundaries between genres and sticking to his steel string guitar (rather than the conventional classical guitar) McManus has produced a work of great originality and beauty, hailed by his peers as “a masterpiece” (Renbourn), “beyond beautiful… it’s PERFECT!” (Tommy Emmanuel) and which contains a truly remarkable rendition of Bach’s colossal Chaconne in D Minor – one of the greatest compositions of any age.
Whatever work McManus brings within his scope the listener is assured a journey into the depths of the music in the company of a great talent.
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New Album "Mysterious Boundaries"
Tony McManus - Bidh Clann Ullaidh (The Clan of Ulster)
Tony McManus: "Piebroch" - Hugh's Room